Frequently
Asked Questions: Installation
Who
will install my piece?
Depending on my schedule and the collectors', I prefer to install all
of my work myself, to ensure the clients' satisfaction and to make sure
the piece is displayed in its best possible way.
What
are my display options?
Just
because a piece is displayed in a particular way in an exhibition, doesn't
mean it can't be displayed in a variety of different ways in your home
or office. Most shows are installed with a group them in mind, where
all the pieces relate to each other as a whole.
When
someone buys a piece from an exhibition, its important to address the
piece as an independent work. Sometimes this lends the collector and
I to agree on a different base, or no base at all. A work standing on
the floor in a gallery may work better on a wall-mounted base in someone's
home, or vice versa.
I
don't live in the New York area? How will I receive my sculpture? (See
also pricing and buying).
Your
piece will be shipped to you in a specifically constructed container.
All shipping costs are the responsibility of the buyer. I am also available
to install the piece professionally, however, travel cost will incur.
If you live within a reasonable distance of New York City or travel
can be conveniently be arranged around my schedule, delivery and installation
is free.
What if I change my mind about where I want my
sculpture later on?
If
a collector would like to change the location of a piece in their home
or office, they should feel free to call me. I can advise them, or depending
on schedule and location, I can move it personally.
What
if my sculpture gets damaged?
No
art is 100% safe from potential damage. Things often get spilled on
paintings, or your neighbor's bratty 5-year-old may want to add his
own tree to your favorite landscape oil painting. Most paintings can
be cleaned or restored.
The
same goes for sculpture. Most pieces can be easily repaired, no matter
the extent of potential damage. Just give me a call.
Can
or should I touch the sculpture?
Of
course. Sculpture is meant to be touched—its part of seeing it
and experiencing it. Throughout France, there are signs in museums encouraging
blind people to touch the sculpture—even the really old, famous
ones.